Experience
Zen is essentially about rebirth from the experience of Being. Zen teaches us…to “taste” divine Being in the here-and-now. But to have this experience and have it validly, we must first discard the old consciousness, which has hardened into habit and determines the way we think and act. ~Karlfried Graf Dürckheim
Discarding the old consciousness…changing habits…not the easiest of tasks, but one that will keep us fresh, I think. I am drawn to poetry when it surprises me–with unlikely juxtapositions, unusual or melodic words, or unexpected rhythms. Perhaps such poetry plunges me into experience, the Being that Dürckheim talks about.
I was disappointed when I attended a poetry workshop with Amy Clampitt several years ago. She critiqued my submitted poem harshly, complaining (as best as I could understand) that the world didn’t need another poem about a photograph, and that what I needed was experience.
Here is the poem. Tell me what you think.
After the Fishing Trip, 1953
Swayback with the weight of a child
unborn and of salt-water bass
hung by the gills on each middle finger,
my mother poses with painted fingernails
in front of an empty playpen on the grass.
Her eyes are deep, black,
and I wonder who caught those fish.
My father (I imagine)
snaps the picture and takes the fish
to slit their stomachs on the scaling table.
Perhaps he frees a lucky fiddler crab
that needs no help to find its way home.

May 4, 2008 at 10:22 am
well…i like it! it is a snapshot in time and is highly visual. you just keep writing and don’t let people persuade you otherwise.
May 4, 2008 at 11:09 am
Thanks for the kind words and for visiting!
May 5, 2008 at 6:03 pm
i love it, and think maybe Amy should stick to critiques of Uncle Jed and Ellie May.
May 5, 2008 at 7:25 pm
Wheeeeeee doggies!
May 5, 2008 at 10:56 pm
Amy Clampitt should be barred from teaching…what she said is not only idiotic, it just isn’t what a teacher tells a student. I’m a big critiquer and a slash/burn editor–of prose. I don’t think poetry should be edited or poets told to change their poems: a poem is a feeling. A feeling is always valid. And besides, I like your poem. There isn’t a thing “wrong” with it.
May 8, 2008 at 11:44 am
old photograph
my wife’s face
before she knew mine
(Anthologized in “A New Resonance 5: Emerging Voices in English Language Haiku,” Red Moon Press, 2007).
The function of a poetry teacher (or workshop participant) is to help you find the path to your poem, not to put up signs that say “Road Closed.”
May 12, 2008 at 7:00 am
I agree with Teresa….she should stick to Jud and Ellie Mae. The poem speaks of your experience of what you felt looking at the photo. Don’t go to any more of her workshops, just let Teresa and I tell you what to do.