Painting Myself

February 28, 2009

Painting myself for others, I have painted my inward self with colors clearer than my original ones. I have no more made my book than my book has made me. ~Montaigne

One of my friends often cautions me about maintaining more privacy. She is amazed that I bare my soul as much as I do in this blog, and I know she believes I will end up hurt as a result. But I am finding this experiment in personal revelation both clarifying and strengthening. I believe that vulnerability is, as David Whyte has said, “the door through which we walk into self-understanding and compassion for others.”

The quest is for personal truth. I have just read the introduction to Phillip Lopate’s anthology, The Art of the Personal Essay. He tells us the essayist is fascinated by the changeableness of human personality, understands that we all start from self-deception, and uses the additive strategy: “offering incomplete shards, one mask or persona after another…If we must ‘remove the mask,’ it is only to substitute another mask. The hope is that in the end…all these personae will add up to a genuine unmasking.”

And so this blog serves as a collection of fragments describing my journey–with movement, changing personae, and contradiction. Lopate writes, “The harvesting of self-contradiction is an intrinsic part of the personal essay form…the personal essayist is not necessarily out to win the audience’s unqualified love but to present the complex portrait of a human being.”

Writing this blog is making me, even as I am making it.


From the Archives: March

February 27, 2009

I would say that the most important duty of a writer is to find what is really his story, his particular story, his unique story. ~Isaac Bashevis Singer

March is coming, and spring! Last March, I was writing about

the importance of Libraries,

living with the Questions (which I am still trying to do),

my ambivalence about activism and whether it further polarizes people (Riding the Currents),

a light look at Walking in the World,

and a decreasing skepticism of the phenomenon some call synchronicity (Closer to Truth).

Won’t you join me in dipping back into last year’s ruminations?


Of Interest to Note

February 16, 2009

It is of interest to note that while some dolphins are reported to have learned English–up to fifty words used in correct context–no human being has been reported to have learned dolphinese. ~Carl Sagan


Generativity

February 9, 2009

Where there is a path it is someone else’s way. ~Joseph Campbell

We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real? ~Ray Bradbury

Like most of us I guess, I have followed a lot of worn and recommended paths, made fairly safe choices, and rested in the familiar throughout my life. In recent years, though, I have been bothered by the question concerning what my authentic path is. What is it that’s right for me, that allows me to contribute creatively to the world in a way that no one else can?

It is this exploration that is to be the excitement of my old age, I think. There’s nothing inherently wrong with worn paths, and I have learned a great deal by following them. They save us a lot of time and energy in a way. But I feel the urge now to blaze my own trail, to better understand my gifts and how to share them.

I don’t think this necessarily requires a dramatic change in what I do and how I live; it is more an internal shift in perspective. I expect only gradual changes in the ways I engage in the world, the activities I choose, the invitations I accept or decline, the work I do in retirement, and so on. (But who knows, really?)

And this is not just about creative self-expression (no–I promise–it’s not all about me!), but about generativity. As someone who did not raise children, I want to help future generations in the only way I believe I can–by living my authentic life, by sharing what is uniquely mine to give.

What is your authentic path, your unique contribution to the world? Are you bothered by the question?


Courage to Create

February 8, 2009

Do one thing every day that frightens you. ~Eleanor Roosevelt

Writers are not just people who sit down and write. They hazard themselves. Every time you compose a book your composition of yourself is at stake. ~E. L. Doctorow

An artist feels vulnerable to begin with; and yet the only answer is to recklessly discard more armour. ~Eric Maisel

The word courage, as Rollo May reminds us in his book, The Courage to Create, is related to the French word, coeur, meaning “heart.” What I give my heart to, I commit to, I also fear to lose. This is one kind of creative fear, the kind Shakespeare described in these lines:

Ruin hath taught me thus to ruminate,
That time will come and take my love away.
This thought is as a death, which cannot choose
But weep to have that which it fears to lose.

Brenda Ueland talks about another kind of creative fear: “For years I persuaded myself that it was hard to use my imagination. Not so. The only hard part in using it is the anxiety, the fear of being mediocre.” This fear of being mediocre is the one that manifests for me as paralysis before a blank page. So I try to remember that I have to write a lot of bad poems in order to write a good one.

Social courage, the ability to be open to new ways of thinking, is its own danger. Einstein said, “Few people are capable of expressing with equanimity opinions which differ from the prejudices of their social environment. Most people are even incapable of forming such opinions.”

And then there is the existential anxiety of nothingness. “To live in to the future means to leap into the unknown,” says May. Creative effort is encounter. “To act is to be committed, and to be committed is to be in danger” ~James Baldwin

May reminds us that if we do not engage the creative encounter, if we do not listen to our own creative impulses, we will have betrayed ourselves. Further, we will be depriving the human community of our unique contributions. Let us find the courage to create.


Mandalas

February 7, 2009

We will know what both the fullness and fulfillment of life mean only when the consciousness that the Spirit is our own very self comes to life within us. ~Paul Brunton, Perspectives

Be careful reading Carl Jung! As a result of delving into Memories, Dreams, Reflections, I became interested in mandalas. I found Creating Mandalas, by Susanne F. Fincher, and then of course I had to try my hand with my sketch book and colored pencils.

Thunderbird

Thunderbird

Within a circle of growth, I am emerging from a dark night with boldness and hope. I connect to the elements of earth, air, fire, and water. The sun is shining on me, but I also walk a dim labyrinth. Pushing up from my unconscious are the will to thrive and bloom, and greater understanding of and groundedness in the man-made world, society.

Well, that was so much fun, I had to draw another one!

And the day came when the risk it took to remain tightly closed in a bud was more painful than the risk it took to bloom. ~Anais Nin

Flowering

Flowering

Dark seeds in my heart are dwarfed by healthy growth, the will to thrive. The path is winding, but I am flowering, bathed in light, moving outward from a solid heart center.

What will your mandalas reveal?


Love and Trust

February 5, 2009

One of the sanest, surest, and most generous joys of life comes from being happy over the good fortune of others. ~Archibald Rutledge

For many years, I’ve believed that what hurts one member of the human family hurts us all, and what helps one person helps us all. It is logical, then, to rejoice when another is lifted up or otherwise graced with good fortune. I am learning that, like forgiveness, this practice is something that helps the giver at least as much as the recipient.

When we are jealous or resentful of others, I think we are coming from a scarcity mentality. In celebrating another’s fortune or success, we fear losing something ourselves, whereas embracing abundance (which leads to generosity) shifts our position dramatically. Gary Zukav, in his book, The Heart of the Soul, says that we release our energy into the world from either fear and doubt or from love and trust. It seems important to me to be intentional about staying on the side of love and trust as much as we can, opening our hearts to others.

How do you see it?