August 30, 2009
It’s easy, after all, not to be a writer. Most people aren’t writers, and very little harm comes to them. ~Julian Barnes, Flaubert’s Parrot
I have just finished Annie Dillard’s The Writing Life, from which this quote comes. I’m on a reading jag; I’ve read 3 books and 2 magazines this weekend!
The other quote I flagged in the book was from sculptor Anne Truitt: “The most demanding part of living a lifetime as an artist is the strict discipline of forcing oneself to work steadfastly along the nerve of one’s own most intimate sensitivity.” I can relate.
This week I will attend my writer’s group (for only the second time, since they took a summer break). There’s something about being in a group of creative people that makes the air vibrate with energy. I am hopeful that it will be an inspiration for me to write–that, and my new book of poetry by Jane Cooper. Here’s a short one of hers:
Praise
But I love this poor earth,
because I have not seen another….~Osip Mandelstam
Between five and fifty
most people construct a little lifetime:
they fall in love, make kids, they suffer
and pitch the usual tents of understanding.
But I have built a few unexpected bridges.
Out of inert stone, with its longing to embrace inert stone,
I have sent a few vaults into stainless air.
Is this enough–when I love our poor sister earth?
Sister earth, I kneel and ask pardon.
A clod of turf is no less than inert stone.
Nothing is enough!
In this field set free for our play
who could have foretold
I would live to write at fifty?
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Posted by Lyn
August 2, 2009

Who is it that can make muddy water clear? No one. But left to stand, it will gradually clear of itself. ~Lao Tzu
The miracle is not to walk on water. The miracle is to walk on the green earth in the present moment. ~Thich Nhat Hanh
I was wrong about being through with this blog! It had begun to feel like an obligation rather than a pleasure, but perhaps I just needed a break. (And Karen, it didn’t hurt that on Friday you said you missed it–made me realize I missed it too!) Today I was drawn to it, and after reading a while, am ready to write again.
There is soft rain here, much-needed rain, and the trees are rejoicing. Which reminds me of the hymn we used to sing at the UU church that takes its text from Isaiah 55:12–”For you shall go out with joy, and be led forth with peace: the mountains and the hills shall break forth before you into singing, and all the trees of the field shall clap their hands.”
I am having a pleasant morning moodling (for a definition, see this entry). I think it is necessary for creative work. I am going to think of Sunday as Moodling Day.
Today, I want to be in the moment, engaging in process rather than fretting about product, listening to my heart instead of my head, following my body’s rhythms, slowing down to notice details. Listening to that gentle rainfall, breathing, smiling, being part of the miracle.
How do you set aside or ensure time for moodling?
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Posted by Lyn
April 4, 2009
Writing is a craft. You have to take your apprenticeship in it like in anything else. ~Katherine Anne Porter
Faith is the daring of the soul to go farther than it can see. ~William Newton Clark
This week I stepped out in faith to read my work and be critiqued in a writers group. I am thrilled to be part of a creative community, and I hope it will result in greater inspiration and courage to confront the blank page, as well as a honing of my craft.
This encounter suggested to me that my confidence often lags behind my skill, and I have to wonder if I sometimes come across as having false humility. It is not approval that I want so much as to embrace a realistic view of my writing, to see more clearly what I want to say and how well I am communicating it. (For more reflections on approval, see Judgment.) I believe participating in this group will lead to greater clarity.
Today, I am grateful for the Stonepile Writers, for the creative process, for this blog, for all artists everywhere!
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Posted by Lyn
March 9, 2009
Eventually we realize that not knowing what to do is just as real and just as useful as knowing what to do. Not knowing stops us from taking false directions. Not knowing what to do, we start to pay real attention…If you think you know where you are, you stop looking. ~David Whyte, The Three Marriages: Reimagining Work, Self and Relationship
Ah, here’s the theme of living the questions again! But it’s this line that strikes me today: “Not knowing what to do, we start to pay real attention.” Jose Ortega y Gassett said, “Tell me to what you pay attention and I will tell you who you are.”
To what are we paying attention…as individuals, as groups, as a nation, as a world? Have we stopped looking because we think we know where we are? I hope not. We need unknowing in order to come up with new, creative solutions for old and growing problems–global warming, economic collapse, the shameful disparity of wealth and health and education in this world.
Einstein observed, “Perfection of means and confusion of goals seem–in my opinion–to characterize our age.” We need to stop taking false directions and sit with unknowing. Otherwise there will be no space in which to welcome creative solutions. He also warned us: “Without changing our patterns of thought, we will not be able to solve the problems we created with our current patterns of thought.” I believe changing our patterns of thought requires spending some time in unknowing. What do you think?
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Posted by Lyn
February 9, 2009
Where there is a path it is someone else’s way. ~Joseph Campbell
We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real? ~Ray Bradbury
Like most of us I guess, I have followed a lot of worn and recommended paths, made fairly safe choices, and rested in the familiar throughout my life. In recent years, though, I have been bothered by the question concerning what my authentic path is. What is it that’s right for me, that allows me to contribute creatively to the world in a way that no one else can?
It is this exploration that is to be the excitement of my old age, I think. There’s nothing inherently wrong with worn paths, and I have learned a great deal by following them. They save us a lot of time and energy in a way. But I feel the urge now to blaze my own trail, to better understand my gifts and how to share them.
I don’t think this necessarily requires a dramatic change in what I do and how I live; it is more an internal shift in perspective. I expect only gradual changes in the ways I engage in the world, the activities I choose, the invitations I accept or decline, the work I do in retirement, and so on. (But who knows, really?)
And this is not just about creative self-expression (no–I promise–it’s not all about me!), but about generativity. As someone who did not raise children, I want to help future generations in the only way I believe I can–by living my authentic life, by sharing what is uniquely mine to give.
What is your authentic path, your unique contribution to the world? Are you bothered by the question?
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Posted by Lyn
February 8, 2009
Do one thing every day that frightens you. ~Eleanor Roosevelt
Writers are not just people who sit down and write. They hazard themselves. Every time you compose a book your composition of yourself is at stake. ~E. L. Doctorow
An artist feels vulnerable to begin with; and yet the only answer is to recklessly discard more armour. ~Eric Maisel
The word courage, as Rollo May reminds us in his book, The Courage to Create, is related to the French word, coeur, meaning “heart.” What I give my heart to, I commit to, I also fear to lose. This is one kind of creative fear, the kind Shakespeare described in these lines:
Ruin hath taught me thus to ruminate,
That time will come and take my love away.
This thought is as a death, which cannot choose
But weep to have that which it fears to lose.
Brenda Ueland talks about another kind of creative fear: “For years I persuaded myself that it was hard to use my imagination. Not so. The only hard part in using it is the anxiety, the fear of being mediocre.” This fear of being mediocre is the one that manifests for me as paralysis before a blank page. So I try to remember that I have to write a lot of bad poems in order to write a good one.
Social courage, the ability to be open to new ways of thinking, is its own danger. Einstein said, “Few people are capable of expressing with equanimity opinions which differ from the prejudices of their social environment. Most people are even incapable of forming such opinions.”
And then there is the existential anxiety of nothingness. “To live in to the future means to leap into the unknown,” says May. Creative effort is encounter. “To act is to be committed, and to be committed is to be in danger” ~James Baldwin
May reminds us that if we do not engage the creative encounter, if we do not listen to our own creative impulses, we will have betrayed ourselves. Further, we will be depriving the human community of our unique contributions. Let us find the courage to create.
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Posted by Lyn
February 7, 2009
We will know what both the fullness and fulfillment of life mean only when the consciousness that the Spirit is our own very self comes to life within us. ~Paul Brunton, Perspectives
Be careful reading Carl Jung! As a result of delving into Memories, Dreams, Reflections, I became interested in mandalas. I found Creating Mandalas, by Susanne F. Fincher, and then of course I had to try my hand with my sketch book and colored pencils.

Thunderbird
Within a circle of growth, I am emerging from a dark night with boldness and hope. I connect to the elements of earth, air, fire, and water. The sun is shining on me, but I also walk a dim labyrinth. Pushing up from my unconscious are the will to thrive and bloom, and greater understanding of and groundedness in the man-made world, society.
Well, that was so much fun, I had to draw another one!
And the day came when the risk it took to remain tightly closed in a bud was more painful than the risk it took to bloom. ~Anais Nin

Flowering
Dark seeds in my heart are dwarfed by healthy growth, the will to thrive. The path is winding, but I am flowering, bathed in light, moving outward from a solid heart center.
What will your mandalas reveal?
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Posted by Lyn
January 7, 2009
It is in playing and only in playing that the individual child or adult is able to be creative and to use the whole personality, and it is only in being creative that the individual discovers the self. ~Donald Winnicott, as quoted in Stephen Nachmanovitch’s Free Play: The Power of Improvisation in Life and the Arts
More play, more fun, more laughter in 2009! On Saturday I will gather up my toys (scissors, papers, pens, paints, glue, trims, stamps, fabrics) and spend a couple of blissful hours being creative. And it will be play and process. I will not be afraid to make bad art!
How will you discover yourself this week through play?
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Posted by Lyn
January 1, 2009
Change and risk-taking are normal aspects of the creative process. They are the lubricants that keep the wheels in motion. A creative act is not necessarily something that has never been done; it is something you’ve never done before. ~Margaret Mead
As part of the Creative Every Day Challenge for 2009, I might:
draw from nature * write a poem * start a local writer’s group * make greeting cards * visit a gallery * crochet a scarf * post photos to Flickr * finish my afghan-in-progress * take a new route home from work and see new sights * dye Easter eggs * build a bonfire * play with dots * write a short story * make a book * wear a new and different style of clothing * design a journal * see a museum exhibit * volunteer for the local arts council * write a nonfiction book * write a letter to someone in longhand * create a new smoothie flavor * make something from fabric scraps * take a creative day off work * make a dream book * learn to dance * knit a pair of socks * create a collage * make paper * visit a craft shop and see what attracts me * take a pottery class * weave a basket * make a gift for someone * try calligraphy * plan a vacation * find interesting objects in nature * play with words in a new way * fingerpaint * make beaded jewelry * do origami * take a walk someplace new * change my hairstyle * sleep outdoors * make a Hallowe’en costume * doodle * play the piano * design a workshop * browse an antique store * learn to quilt * go to a concert * write a chant * plant a garden * attend a theatrical production * read poetry out loud * organize photos in an album * try a new fruit * give away what no longer suits me * take someone flowers * sing * make a Zen garden * use the Milliande Creativity Club “artist date” prompt for the month * play a wooden flute * design a cross-stitch picture * decorate a box * make a list of funny words * read about a new craft * arrange some flowers * jump rope and make up rhymes * create a brochure * go to an arts festival * challenge a self-perception * burn candles * take nature photos * plan a party * illustrate a journal * create an arty wardrobe * dance to rock favorites from the 70s * make a snowman * play with crayons, colored pencils, or paint pens * plan a surprise for myself * make my own gift bags * recycle old earrings into new jewelry or sculpture * splurge on soft sheets * draw a picture of who I am becoming * write a fan letter * build a sand sculpture * think up arguments to quiet my inner critic * tell someone off in my head * play with stripes * buy myself a toy * create a mantra for each day * observe in moonlight * make love in a new way * make a drum * go caroling * light some incense * daydream in a hammock * create an altar * tell someone how much I care about them * meditate * shirk responsibility * rent a bicycle * build a studio * draw a cartoon * play on a playground * draw a picture of my creativity * have a pillow fight * press some leaves or flowers * rearrange the furniture * join a book discussion group * do some bad art * learn Spanish * climb a tree * pamper myself * write a Dear John letter to the part of myself I want to shed * try out for a play * write a letter to the creative child in me * take voice lessons * participate in an open mike poetry reading * enter a contest * make an artist totem * write a good review of my work * cuddle up with a blanket and my stuffed puppy * write verses for children * notice ceilings * make a spiritual corner in my house * make a junk sculpture * draw a mandala * take tap dancing lessons…
Whew! That was FUN! What else would you include on your list of artistic possibilities for the new year?
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Posted by Lyn
December 29, 2008
If I leave my writing for one day, it leaves me for three. ~Madeleine L’Engle
The creative process is a process of surrender, not control. ~Julia Cameron
Despite Julia Cameron’s words, I have decided to participate in the somewhat controlled Creative Every Day Challenge for 2009. Within this very loose framework (the creator gives full permission to participate stress-free–that is, however and whenever you like), I hope to enter that process of creative surrender more often in the coming year.
My first act in the CED challenge will be to create a list on this blog of as many possible creative activities I can think of that I might like to try this year. I hope you’ll add your creative ideas to the list when it’s posted in early January.
In addition, I’ve signed up for The Power of Less New Year’s Challenge at Zen Habits. This requires a pledge to practice something, anything, but only one thing, 10 minutes a day for 30 days. I figure surely I can work in 10 minutes of yoga every single day during January. Don’tcha think?
So rather than resolutions for the new year, I am giving myself two challenges. No one has asked, but I’ll confess to having fallen off the strength training wagon I committed to here. It seems like a great program, but it’s just not right for me, I discovered. So I am going to call that not failure, but learning!
Will you set challenges for yourself in 2009?
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Posted by Lyn
December 22, 2008
It always comes back to the same necessity: go deep enough and there is a bedrock of truth, however hard. ~May Sarton
I awoke (awakened?) at 3:30 with the images from this morning’s poem and had to get up and write. It was influenced by my reading of Dr. Eric Maisel’s book, The Van Gogh Blues: The Creative Person’s Path Through Depression. Maisel contends that all creatives suffer depression, and that liberation from depression is possible by creating meaning, forcing our lives to mean. He offers a prescription, in fact, consisting of such things as nurturing self-support, opting to matter, braving anxiety.
Maisel acknowledges that there is a role for anti-depressant drugs, and that early trauma is often a contributor to depression. But he clearly believes that creative people are primarily depressed as a result of their need to make meaning of their lives.
I am just a little over halfway through with this book, but I have found it both fascinating and practical. For example, he offers a sort of mantra of self-soothing in the following passage: “You have to tell yourself, ‘I am the beauty in life’…You combat what shaming did to you by whispering, ‘I am the beauty in life.’ You combat what criticism did to you by whispering, ‘I am the beauty in life.’ You combat what a sterile environment did to you by whispering, ‘I am the beauty in life.’”
Meaningful creating seems to involve working soulfully, a path with heart. How do you create meaning?
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Posted by Lyn
December 13, 2008
Every kind of creative work demands solitude, and being alone, constructively alone, is a prerequisite for every phase of the creative process. ~Barbara Powell
Winter is a natural time for hibernation, re-creation of ourselves, inward exploration. After three days of being with others, I am relishing my Saturday morning solitude. Jung said, “Silence is for me a fount of healing which makes my life worth living. Talking is often a torment for me, and I need many days of silence to recover from the futility of words.” I can relate to that!
Yet how many of us take time to listen to ourselves, to retreat into silence and solitude as healing practices? It is very difficult in today’s world of instant and ever-present communication. Our environments have increasingly become loud, busy, cluttered palettes without the pauses that allow us to make meaning of them.
In The Artist’s Way, Julia Cameron says,”Creativity is God’s gift to us. Using our creativity is our gift back to God.” In a world where there are few spaces and silences, I think we must protect that dreamy idleness Ueland calls moodling (more here); that percolation process Bonni Goldberg writes about in her book on writing, Beyond the Words.
How do you create spaces and silences that help you digest your experiences, that make room for creative response?
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Posted by Lyn
December 9, 2008
I embrace emerging experience.
I participate in discovery.
I am a butterfly.
I am not a butterfly collector.
I want the experience of the butterfly.
~William Stafford
Recently I stayed overnight at Pat’s apartment, and was inspired by her creative spirit, the art on her walls, and her projects in progress. Then I saw this post on Creativity Portal–Deanne Fitzpatrick’s 101 Ideas for Living Creatively. I decided to come up with some of my own ideas for living more of an artist’s life.
1. Write or draw in a new place–in a coffeehouse, in nature, in the kitchen, at the library.
2. Find something around the house to alter or decorate and recycle as a gift.
3. Think of a game I loved as a child and play it.
4. Surprise someone who needs a lift–with a handmade card, a homemade treat, or just an act of kindness.
5. Just say no to computer games, and blog or write a poem instead.
6. Walk somewhere instead of driving. Notice the smallest things I can see along the way.
7. Carry a writer’s notebook at all times, and capture ideas, images, overheard conversations, anything that sparks my imagination.
8. Tune in to the natural world for a while with my senses. Watch birds, smell the earth, sit on the grass, listen to a flowing stream, sway in the breeze, bask in the sunshine.
9. Give myself a gift–a nap, yoga, a massage, or whatever my body needs at the moment. See what images come to me when I am nurtured and relaxed.
10. Ask a “what if” question about everything that comes my way for a day.
What helps you stay connected to your creative spirit?
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Posted by Lyn
September 18, 2008
Don’t turn away. Keep your gaze on the bandaged place. That’s where the light enters you. ~Rumi
There are things in this life that hurt! The challenge of the wounded, I think, is in not identifying with woundedness, in being more than that. But when we avoid or repress the woundedness, we don’t heal properly. Recently, old repressed pain has been bubbling to the surface for me (see also these references to heartbreakthroughs). An image came to me this week of a wounded bird, trapped and panicky, in need of soothing. I want to open my heart and let the grief and pain pass through and away, but it is difficult work.
When I considered the image of the bird, two things came to mind: a ring I have worn for years, and a collection of spirit stones my friend Elaine made for me a long time ago. The ring came from the Southwest Indian Foundation and has a prominent thunderbird motif. The spirit stones Elaine chose for me, and the characteristics they represent, were the following: Otter-laughter; Spider-creativity; Bee-organization; Loon-solitude, singing; and Thunderbird-spirituality. Some Native Americans believed that the water animals were healers, the land animals protectors, and the air and sky creatures embodied spirituality and wisdom. I like the idea of protecting (bandaging) myself with creativity, and of healing with laughter (and perhaps solitude and singing, too)!
I have resisted the thunderbird, though. In fact, when the ring came in the mail, I was disappointed, since the catalog image was a ring with tiny pueblos in relief. On my ring, little sections of pueblos flank a large central bird. I knew each piece was hand-crafted and so a unique design, but I expected the ring to look more like the photo. I even asked if there was any possibility of exchanging it, but received no reply. Now I think it might have been meant for me. Perhaps my life journey is moving from wounded bird to powerful thunderbird, eh? For now, I’ll do my best to keep my gaze on the bandaged place where the light enters.
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Posted by Lyn
August 29, 2008
In journalism, there is no music that does not conform to truth; in poetry, no truth that does not conform to music. If you can’t find truth that makes music, you must change truth to make music. ~Judson Mitcham
I’m sure that is not an exact quote, but it is the gist of an idea I heard Mitcham express in a writer’s conference in 1996. He asked, “Where does the poem sing?” At the same conference, Mike Fournier asked us to consider how a poem would sound to someone who doesn’t speak English. He said the sound of a poem is what makes it memorable.
The two books I remember from my earliest reading days were a cloth book and a Disney book. The cloth book began, “How big are you baby, why don’t you know? You’re only so big, and there’s still room to grow.” The Mickey Mouse book began, “Bang, bang went the hammers, and zzzzz went the saws. A new house was being built.” I remember these lines because they were music. As were the Cautionary Verses of Hilaire Belloc I memorized and recited as a child. (“The chief defect of Henry King/was chewing little bits of string…”) Verses may not be poetry, but they can teach us about words that sing.
Charles Olson talked about the poem as syllable + line: The head, by way of the ear, to the syllable. The heart, by way of the breath, to the line. Makes perfect sense to me. I don’t know if this one sings, but here’s a poem from 2004.
Wildflowers
The ones we saw: violets in profusion,
dwarf crested iris, trillium,
the ubiquitous cinquefoil.
We stooped to see the brilliant red stamens
on the tiny star chickweed
and exclaimed at acres of mayapple
umbrellas all along the trail.
The ones we didn’t see–
pink lady’s slipper, mountain laurel,
and the majestic rhododendron–
will come in their own time.
And the ones we overlooked
will keep their secrets, while we
will go on planting our huge feet
one in front of the other until
we must lie down with our sisters
among the leaves.
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Posted by Lyn